Tidal shared its new policies regarding AI-generated music today and how the platform plans to "protect artists" and "inform listeners." Instead of banning it outright, starting on July 15th Tidal will label tracks it has identified as being 100 percent AI-generated with an icon. But starting today those tracks will no longer be monetizable. "Tidal's priority is ensuring royalties go to original works directly produced, written, and performed by people. We will therefore not knowingly attribute royalties to music we identify as wholly AI-generated," the company's announcement reads.
The platform didn't specify what tools it's using to iden …
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Trump's $635M meme coin royalties highlight the risks of insider-dominated crypto ventures, underscoring potential retail investor vulnerabilities.
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Tidal's policy could reshape the music industry by prioritizing human creativity, but challenges in AI detection may complicate enforcement.
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BlackBerry QNX revenue rose 26% to $72.3M as NVIDIA Halos opens a robotics path and guidance climbs. What the backlog and royalties mean for the AI trade.
Warner Music Group has acquired Sureel AI, a startup whose patented technology fingerprints songs and traces how AI models use their component elements. Financial terms were not disclosed. The deal gives WMG enhanced tools to monitor when artists’ and songwriters’ work is used in AI-generated content or for model training. Sureel also offers name, image, […]
Deezer will now scan your playlists on other streaming platforms to detect AI-generated music. Deezer was the first of the big streaming services to start labeling AI-generated music. It even offered its tech to other platforms, but it doesn't seem like it had many buyers. Qobuz launched its own detection tech, while Apple and Spotify have opted for a voluntary tagging system.
"No other company has followed our lead yet, so we decided to make it possible for everyone to check if their playlists include synthetic music, no matter which streaming platform they use," Deezer CEO Alexis Lanternier said in a press release. So, since nobody is ta …
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In response to AI’s hyperrealism, artists and creatives are gravitating toward the homespun and imperfect
Earlier this year, a group of film-makers, commercial directors and AI industry influencers gathered in New York City for the Runway AI Summit – a daylong hype-fest, trumping up the potential of this new technology. During one talk, Rob Wrubel, co-founder and managing partner at San Francisco ad firm Silverside, talked up his work on the Coca-Cola company’s AI-generated 2025 Holiday Caravan ad. “What’s incredible about AI,” Wrubel said, “is that you can go from script to production is just two weeks!”
What Wrubel failed to mention was that the ad – with its computerized polar bears and fake-looking trundling delivery trucks – was widely despised by pretty much anyone who saw it. Indeed, the public distaste for the campaign became its own news story, spawning headlines like “People really don’t like Coke’s AI holiday commercial” and “Coca-Cola’s New AI Holiday Ad is a Sloppy Eyesore